Thursday, April 23, 2009

Dental Office Policy Letter

"Byzantium" by Gabor Gado - a beacon of musical history


Gabor Gado 19 March 2005 in Dresden to the world of jazz festival. (Photo: Dietrich Flechtner)

Undeterred, the man who admonish, the musician. Guitarist Gábor Gado is his sprawling, bizarre and profound music once again acting in a context of social history of cross-base diagnoses. His current album he calls "Byzantium," typographically altered with a twisted "z". "Z" is the last letter of the alphabet - the end is so twisted, wrong, wrong.

Byzantium and Byzantium means those ancient settlement on the south exit of the Bosporus, which was rebuilt because of its favorable position 326-330 by the Roman Emperor Constantine I as the new capital of the Roman Empire (Constantinople). Byzantium as a symbol of civilization for a fresh start and are equally Resume point of human development to destruction, as a symbolic place for the start of the so-called Constantinian shift, in the course of the formerly state discrimination and phase as bloodily persecuted Christian Church is first tolerated, then legally privileged institution, and was finally Theodosius a Reich Church.

The picture puzzle design of the Art Smart CD Covers Yasar Meral and Gábor Bachman's could refer to these Constantinian shift, it shows on the one hand, an ancient hunting scene on the other a threatening Jesus scene, especially the latter indicated by the devil figures pointed out that the evil enemy, but a son of Christianity - a view which is in the symbolism Gadó'schen happens only once.

The CD is attached a fictitious apocryphal text on the Apocalypse of the 21st century, extra Dolinszky Miklós, the Hungarian musicologist sure most significant of the present in old Hungarian-language for "Byzantium" is written. Dolinszky: "As a musicologist, and the literary interests are not strange, I opted for a linguistic game that the language of the first Hungarian translation of the Bible from the 16th Century paraphrases (some specific quotations from the Old Testament and from Henry David Thoreau's "Walden. Or Life in the Woods" involved with), despite the fact that it has to do in a direct way with Gábor Gados music to actually do anything. "

Again, this text begins with the statement that evil, the devil, a consequence of human Selbstapotheose is. "For by themselves perceive as God, it is also said that the devil exists in the world." And again reminded the fragment because the absence of evil is not identical with the good, the absence of the devil not the same as the divine was. And the apocalyptic text ends with the description of human social life after Armageddon: "The houses, roads, bridges and homes were destroyed and Together with them were also the states, parties, companies, organizations, bodies and institutions dissolved, which had destroyed not least, the humanity. And the people came closer together again, not only physically but in spirit: For the walls that had built up the people in rock, existed long ago in their heads. And now there was nothing that separated the people. "

Sun is not it a coincidence that the last track on the CD" Юродивий is named. " The Russian word means an imbecile, a fool - even in the sense of a fool, the impunity the terrible must tell the truth.

Then you could think of Erasmus of Rotterdam's Praise of Folly "(1509), for the" folly in the healing and the true wisdom in the wisdom of the true imaginary folly "was. One should not ignore that, then what was later called the freedom to fool, is not an achievement of Christianity. The present law, in art characters that are disrespectful to God and man, it was in ancient times. What then, since the Renaissance, only the "fool" (Jester) was allowed, each task is thinker to point out the rotten state of human society and give pointers to where the evil stirring. One of Gábor Gados replies: "Byzantium".

It seems logical that take individual tracks on the CD that deliberately created the context reference. - Examples?

"Mirandola" focuses on Giovanni Pico della Mirandola (1463-1494), the large, early late philosopher of the Renaissance.
Mirandola was the first Christian who, without even being Jewish, is intensely involved with the Kabbalah. In Rome, he wanted to defend 900 philosophical and theological theses which he had written publicly before all interested scholars of the world. He invited them to a large European Congress, which in should take place the presence of the Pope and the College of Cardinals. His goal was to show a fundamental agreement of all those philosophical and religious teachings, which were finally included in all Christianity, and thus to contribute to peace and global understanding. Was planned for the January 1487 public disputation not take place because Pope Innocent VIII began a sixteen-member commission to examine the orthodoxy of the views expressed in the theses. Mirandola was not prepared to appear before the Commission. After intense debate, the Commission concluded, thirteen of the theses were heretical and should therefore be condemned. The music Gábor Gados reflected the dramatic dynamics of the event, which is soaring up hope, turns out to doubts, the risk of attacks, breaking light of optimism and the fall in the depths of defeat against - and in five minutes and fifty-one seconds.

"Avicenna" is the most famous philosophers and scientists "of Islam and perhaps of all time" (George Sarton), Abū Alī al-Husayn ibn Abdullah ibn Sina (980-1037), dedicated - designed with soft saxophone Gitarrre-unison runs, (truthfully) searching, scanning, ...

The title track gives finally the ensemble of clarinet, Bass clarinet, bass, drums a staccato-like serenity that - now comes Gados guitar into the game - to bustling, vibrant temptations and doubts out to make a duo of saxophone and guitar, a dragon dance between threat and promise - the end is left open .

Gábor Gados "Byzantium" - this is not jazz. This is a beacon of musical history.



Gabor Gado: Byzantium, BMC CD 137

The text of Miklós Dolinszky in German in a rough translation from the old English version here.

Monday, April 20, 2009

Braeburn 3000 Digital Thermostat

"Erstbgegnung with Savina Yannatou in the New Saxon Art Association Dresden


Savina Yannatou. (Photo: PR / Johanna Diehl)

The ongoing for some time, from Dresdner drummer Günter Baby Sommer is artistically directed concert series "First Encounters" the New Saxon Art Association it on 22 April 2009 (20 clock) to a duo concert with Savina Yannatou, Greece, and Günter Baby Sommer.

"The world is upside down when initiating Savina Yannatou with a short Obertonintro the Sardinian folk song Ballo Sardo, to end five minutes later in a squeaky-jazz cacophony and immediately behind the oriental melody line of a Lebanese lullaby avant-garde polyphony sets "- the Yannatou is a renowned interpreter of the classical music world, with superior range of expression in her voice makes every song an experience.

Savina Yannatou sings professionally since 1979. Her artistic spectrum is very wide: it occurs with works of modern Greek composers and also is an interpreter of the pre-classical works. Since 1983 she has worked with the Studio for Early Music, performs with the ensemble works of the Middle Ages, Renaissance, Baroque on period instruments. She composed music for dance, theater and video works.

is particularly emerged Savina Yannatou but with their own CDs, it has brought out mostly with her band Primavera en Salonico "- the last three at the prestigious Munich label ECM, also many in the Greek Lyre label.

Günter Baby Sommer, Dresdner percussionist and drummer of global importance comes forth from the European free jazz, to the relevant protagonists, he has since the early seventies. Summer has earned worldwide reputation by the fact that it increasingly important for artists from other genres and genres - music became a congenial partner - for writers, actors and painters.

"For about 25 years now, we meet at Festivals, so we are already acquainted with each other, but never have we played with each other, "says Sommer. "And now there is a joint concert project. A percussionist who works very oriented towards singing and melodic like it, and a singer, the firm in the music of the entire Mediterranean region and is familiar with many time periods - from such a "first encounter" one can hope for much.

More about Savina Yannatou here.

MB

admission for non-members: 7 €.

New Saxon Art Association eV
St. Petersburg street 2/Akademiestraße
01 069 Dresden

Tuesday, April 14, 2009

Sickest Sharking Vidoes

The 35th Freiberger Jazz Festival, international and national musicians of repute in the program


Plays on 24 April 2009 with his trio, Sergei Starostin + in Freiberg: Vladimir Volkov. (Photo: Ekaterina Kuzmina)

The Faun is celebrating its 35th end of April Birthday. This anniversary, he takes the opportunity to let it rip about: The 35th Freiberger Jazz Days provide a large contingent of international and national jazz musicians, world-class!
The Framework Programme for the big party begins on 18 April: The photo exhibition "Jazz and Photography" by Bernd Mast opened in St. Peter's Church.

On Thursday, 23 April begins the "real" festival. According Jazz Festival starts the tradition of the classic birthday party. Under the leadership of Jan Michael Horstmann the middle Saxon meets harmony "leipzig-percussion trombone" on the band. "Beethoven meets Jazz" promises to bring even the most stubborn friends to the classic jazz track to prepare for the upcoming weekend. The typical Big Band charm and a sold out concert will be guaranteed.

begin on Friday by 20 clock then the main concerts in the theater. Arrival Tour, a German-American duo will bring together with Manfred Herring on saxophone and tap dancing Sebastian Weber the audience to wonder. As fast, bold, yet virtuosic jazz has long ceased belongs! The Volkov Trio from Russia takes over the musical baton. With the support of jazz stars and singer Sergei Starostin that the four Russian musicians a connection between jazz and Russian folklore, even hot in the depths of winter to ensure Russian sounds. Vladimir Volkov is a god in his country on the double bass - Starostin a virtuoso of the vocal cords. Who wants Russia musically even "different" experience for the Friday evening a must!
For the first day of swinging to end, then does the SAX Quartet Dresden. This jazzy ensemble every song that is not nailed down and.

Even for small Jazz fans again catered Anatolis musical circus invites on Saturday, a clock at 10.30 in the BiB for young and old and offers a musical and artistic program on tenterhooks along. At 17 clock
invites world-renowned jazz pianist Chris Jarrett then at a special concert in the Town and Mining Museum. Even the few non-experts to be around him can not make a bow: With a unique blend of classic and modern jazz will Chris Jarrett not only to the intense experience of music listening, but to inspire. As sources of inspiration he calls including Sergei Prokofiev, Charles Mingus and Frank Zappa.

After a short breather then by 20 clock in the middle Saxon Theater continues with the ears. Dutch jazz music for most of the German ears still virgin territory. While our neighbors have no reason to hide. The German-Dutch quintet "border hopping" shows in itself how perfect rhythm sections and horns act together. Here, the five musicians always jump back over the borders of contemporary and fusion jazz. Great improvisations meet passionate melodies. The highlight of the celebrations on Saturday is the "United Composers Ensemble dar. The idea behind the project is to jazz music durchzukomponieren: Jazz musicians are very often as a grand improvisation artists, their compositional Talent is often forgotten. The party guests enjoy "Jazz with orchestral sound."
then invites Jörg Hegemann's a ride on the Boogie-Woogie Shipping. Guests are encouraged to shake a leg and enjoy the night.

Who has the next day the necessary strength and a strong stomach can, can blow away the tiredness from Blue Alley with the Dixieland brunch in the "truck driver".

are available for the late risers in the afternoon or the final concert of the jazz days. Sevda Azeri is in their home country, Azerbaijan, already a star. With her jazz ensemble, she wants to leave the musical tradition of their country alive again and spread it all over the world.

IG Jazz Freiberg (Saxony) invites all music lovers to anniversary of the Freiberg Jazz Festival.

(Gert Schmidt)

Tuesday, April 7, 2009

Mustache Lemon Juice?

native of Weimar poet, musician and architect Paul Thomas Bierau is dead

Like the Thuringian State newspaper of 8 April 2009 announced that the poet, musician and architect Paul Thomas Bierau died in the night by 5 April at the age of 50 years. Bierau was a founding member of the Art Association Apolda avant-garde and a member of the Literary Society of Thuringia, which keeps him as one of its most creative and unconventional members and as a vital, lively writer recalled: "Unforgettable are his imaginative, genre borders in performances contemporary American poetry. His lyrics are known to the poetry of everyday life, to bars and erotic "Bierau had big plans: 22. For the April he planned the premiere of his Bauhaus program "Oops, we live".

Bierau occurred in its own programs and in addition also with jazz and blues musicians, so twice before over a year at the Jazz Club Neue Tonne Dresden.
On 8 March 2008, he had in common with Charles Sammond the program, "Allen Ginsberg: 50 years> Howl \u0026lt;- experimental poetry and jazz" made on 27 March 2008, he has played in the worlds of jazz festivals in the bear pit in Michael Lenhardt Blues-rock band.

Ribbons With Sayings On Them

"Cross-Paths to the World Heritage

The Foundation of Prussian Palaces and Gardens offers special tours this year, beginning on the Glienicker Bridge. Under the motto "20 Years after the Wall: Cross-Paths to the World Heritage" by the Easter Saturday (April 11) until in late November, two different routes available to the east and west of the Bridge: Route 1 runs from the Glienicker Bridge in the Babelsberg Park Route 2 of the Glienicker Bridge in New Garden. Price: 8 €, reduced 6 €. Meeting point: Castle Checkout Glienicke. Registration: Tel 0331/96 94-202. Group Bookings: Tel 0331/96 94-200. Detailed information is available at http://www.spsg.de/index_6543_de.html sonderfuehrungen #

What Should I Wear To A Paris Art Opening

Fado experiences in the autumn Lisbon - Memories of November days


Nighttime view from the castle overlooking the city and the Tagus, in the background in light blue as dots Cristo Rei, the city blessing, 28 meters high Christ-figure before the bridge "Ponte 25 de Abril" .

night in Lisbon. Who thought it not at Fado? In those intricate, often melancholy voice acting, the only in Portugal's capital city and - can be found in the ancient university city of Coimbra - in modified form?

With the blustering cult-electric point 28 it is from the famous terrace Miradouro Santa Luzia, in the corner of his eye lichterfunkelnde the dark Tejo, down through the geometrically acting up to the Lower City Largo do Chiado, where sits a bronze figure of Fernando Pessoa in front of the famous Café Brasileira. Some tens of meters to begin strolling through the narrow, but lively streets of the Bairro Alto, which is full of small shops, cafes, bars and discos, dance halls and fado clubs. Watch is announced - here are many of the Fadokneipen overpriced, and there is a constant battle of the door staff to the tourists. Just outside the high season, the echo calls "Mister! Come in, we have a great and unforgetable Fado program "from all the doors - before which to stop, and be it only to study the menu, pretty risky. Once you get in the interior of such premises may again find, but truly professional singing fado (fado profissional ") expected, but not rare, at least out of season, orphaned many tables, the atmosphere because of the yawning emptiness little inspiring. The Bairrada wine in the "O Canto do Camões" was good, the veal as well, and the singers Alzira Caned and Idalia Maria, most responses did José Luis beautiful, soulful fado - but what took the view of the six guests in one - as Azulejos beautifully tiled with usual - for eighty Restaurant People?

that is being fought in this area in early November to every guest lit us a quick ... But somehow a vicious circle ... Further, better-known restaurants in the Bairro Alto, such as "Café Luso", "A Severa", "Adega Machado" or "A faia" are obviously in a similar situation.

Unlike the nocturnal atmosphere has two days later in the Alfama. In the "Esquina de Alfama, a tiny, folksy, rustic restaurant near the museum still young fado, fado Vadio is offered, that is, anyone can sing, who feels called to - and the atmosphere was divine, The pub was full of a crash, the air vibrating. A long, skinny, blond lanky sang passionately, also drove us who understood the text does not, the tears in his eyes, owner and singer Lino Ramos, the restless artist of this shop, rose to one and even ripped to thunderous applause, which immediately aufbrandeten, hardly a song that went over. Behind the bar, the silver-haired grande dame of the house, Ivone Dias. Whether she can still sing this evening, I asked her. Unfortunately not, came the reply, and Ivone inscrutable smile and downcast eyes, bowed, unfortunately no, because she was hoarse, and she tapped in support, crossed his arms over his chest, elegant with the index and middle fingers on the larynx. She was very moved by my desire to just listen to them sing, and for me it was very grateful. "But because you can not listen to me singing live tonight I give you this CD - especially for you," and then signed Ivone the CD, providing them with a dedication ceremony and handed it to me. - Well, around midnight, as the time drew near the (From) account, I found the CD with a 15 € charge ... Incredulous, I read that amount, because I had assumed it would be a gift ... Then I shook my head and said, even for their own comfort, "she skillfully made it so ..." was once again amazed

I few days later when I followed up at home with a trip to Lisbon Merian leader. There, I read in the article "The Search for the yearning" for a visit to the fado restaurant "Fermentação", a place is offered on the forecourt Fado for the front of the door at small tables seated guests, the following:
"Ana had flirted with violently during the performance of my companion. After their performance, they asked for her name, wrote a dedication to a CD and gave it as a gift. When we pay the bill, the gift of 30 € is reported - not without reason that even the most beautiful Fado "

. Since I'm still got off cheap, I thought. And, our Lisbon impressions in mind, nor how well it must be ordered now at Fado?


The Portuguese-English-speaking Fado Guide Lisbon, "Roteiro de fado de Lisboa (Lisbon fado's guide" - Issue November 2001, available at the Fado Museum on the Largo do Chafariz de Dentro), lists 50 Fado on premises, mostly in the districts of Alfama and Bairro Alto, but also in the Mouraria and Madragoa and in other areas. The museum is officially called "Casa do Fado e da Guitarra Portuguesa" (House of Fado and Portuguese guitar).